Pent vs Pent.

As a warning, this post is going to be long, light on pictures, and heavy on process geekery. I won’t be offended if you skip reading it. (Heck,  I won’t even know!)

It has been edited slightly to correct myself. The pent at Ice Dragon is in the Barony of Rhydderich Hael, not kingdom level in Aethelmaerc. Sorry for any confusion that caused, that’s all on me.

In a moment of brilliance (or stupidity), I determined that I could take my 5 entries from Ealdormere’s Pentathlon and turn around and enter them into the pentathlon at Ice Dragon two weeks later. I wanted to compare as directly as possible, so no change in documentation, no change in project state (other than the bread. I did bake new bread.)

The two experiences were very very different.

Ealdormere groups the five items together, to be displayed together. Items are pre-registered and documentation is submitted in advance to be forwarded to the judges. I think you have to have five actual items, but I can’t find that in the rules anywhere. There are no category requirements and items are not differentiated by the artisan’s award level. The artisan is with their work, meets with the judges for each piece and gives a quick overview to previous pent winners who decide as a collective who wins pentathlon. The artisan receives both comments and numerical scores on their judging forms.

Ice Dragon puts each entry into its category (cooking with cooking, embroidery with embroidery) and requires at least three categories be represented. Each category is further separated by the entrant’s award level (Orion and lower: Novice. Crucible: Intermediate: Laurels get their own category.) There is no pre-registration of items (only that you’ll be arriving at all, but that’s not required). Items may be entered in more than one category. (ie an embroidered dress could be entered both as clothing and needlework.) It is a blind judging, so no names or identification on any piece or on your documentation only an entrant number. There was four hours between setting up items on their respective tables and returning to pick them up again, judging happened in that time. Artisans only receive comment forms left with their entries, no numerical scores. Overall pent winner for each award level is determined by score total.

I’m vaguely remembering numbers here, but I believe Ealdormere had about 50 entries (individuals as well as 3 adult pentathlon and 1 child pent entry), and Ice Dragon had about 115 entries (I have no idea if all of those were pent entires or not). Considering our respective sizes of kingdom, Ealdormere might have a few A&S types. Go us. 🙂

In the interest of full disclosure, I won pentathlon in Ealdormere (along with four sponsored prizes). My knitted bag took second in novice fibre arts, and my counted sampler took first in novice needlework at Ice Dragon.

I hate blind judging. I’d never experienced it before, so I wasn’t sure what to expect, and it was as frustrating as I feared. Basic questions that came back on the judging forms at ID could have been answered in the first 5 seconds of face to face judging (or often by opening my documentation.) The judge format at ID gave those poor judges not a whit of time to actually READ documentation, especially in the giant categories. My dye entry got an afterthought one liner comment at the bottom of my knitting comment form as the only sign it got judged at all. (Fibre arts took over two full tables. Most other categories didn’t fill a single table.)

In terms of comments and feedback, once I allowed for ID’s nightmare for their poor judges, it was about on par. E’s judges got to focus their comments far more, because I was right there, to answer the basic questions that I might have missed in the docs, or they wanted clarification on. I got useful comments from both kingdoms, I got unhelpful comments from both kingdoms. I got comments I disagree with (which is fine), I got unreasonably picky comments, and I got ‘nice work!’ sort of comments, which feeds the ego but isn’t helpful for growth. (Do not underestimate the value of a wee bit of ego feeding. It’s not a bad thing, it’s just like icing. Great to have, not a well balanced meal.)

Not receiving the numerical scores at ID made putting comments into context very challenging. Is this a minor note for improvement later, or was it a make or break issue for you? Not having met the judges also made it the same sort of hard to read as email critiques. Was that written tone supposed to be informational or hard line? Is this a ‘your basis for this work is wrong!’ or a ‘you are 99% there, here’s how to get that last 1% to get to amazing’.

Probably what I missed most was the camaraderie, however. Between artisans as we hung out by our work and got to geek out together. Between artisan and judge as they got to provide advice and direction and geek out together. I missed being able to put faces to work, to be able to start to recognize other artisans (especially when out of kingdom. I still can’t tell you who the Aethlemaerc A&S types are. I can now recognize some of their work, but not the awesome people behind it.) I really feel for the judges at ID, especially the ones for the big categories (fibre arts and needlework especially). That’s a lot of entries in a very short period of time. It has got to be gruelling and it makes the comments they left all the more impressive, for how little time they had to write them.

I suppose it’s more competitive, to have the blind judging, more fair in the scoring, but missing out on the people interactions was far more disappointing than not winning. I’m glad I did it, I got good things out of both, but I really did miss the personal touch.

If I’ve gotten details wrong, please do let me know.

It’s a trap!

I do wonder how many of you read that title and immediately thought of Admiral Ackbar? Just me? Never mind. 0ff2ac98d64c91b6fa1017b61f332dd0

Anyhow! What’s actually a trap, or more accurately a fake is the fan I was using as inspiration for the Fian challenge. Whoops. I spent the first chunk of my fian time working on getting my needle skills back up to snuff and then finally sat down to do my design work. Emailed the museum where it’s at to ask, as the info about it is sparse, and found out ‘oh that? Yeah. Glued together cut parchment and silk strips.’ (I may be paraphrasing the far more professional answer the lovely curator sent to me.)

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Say what!? Not lace at all? A good fake? Well. Damn.

I had a bit of a think, and a bit more obsessive staring at portraits and I think I’ve come up with a plan b (which looks very much like plan a, honestly). Clearly, its trying to fake up lace. I mean CLEARLY. While there’s no real evidence for flag fans being entirely made of lace, there’s plenty of evidence for lace edges and embroidered middles. The jump from an embroidered middle to an embroidered middle with some cutwork embroidery is a gentle one, so I’m just going to keep on keeping on.

What I’m not going to keep doing, is using this as a ‘I want it to look like THIS!’ sort of guide, because needle lace on a linen ground is never going to look like this. It’s like expecting my calico to put on a sheep costume and actually look like a sheep. (Or actually wear the costume, but that’s entirely different.)

New fabric is in the mail, designs are hitting the graph paper and soon the testing and obsessive stitching can begin. I’m not sure what I want to put in that middle section, suggestions welcome!

Blacksmithing

Talk about going outside my comfort zone, wowza! An A&S afternoon up at the farm of my baron and baroness, and there was lovely company, pattern draping for late period bodices and Baron Penda got the forge going for anyone who wished to give it a shot. I know a knife got made, and a few two prong forks, a hook that can be attached to the wall, and for my first attempt, I made an S-hook. Simple, practical in camp and simple. The simple was where I was aiming here.

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It doesn’t look like much (See the aforementioned simple aim), but from a straight bit of metal, I got bendy metal!

I can’t say that I now have a sudden desire to add a forge to my tiny backyard, I’m still pretty string oriented, but I’m glad I tried it at least.

Snartemo Sample

I don’t often do samples, but that’s generally what one gets out of classes. I took my first tablet weaving class at FF&F last November, and it happened to be Snartemo. The teacher looked a little gobsmacked that it was my first time tablet weaving (more than just a couple of picks on someone else’s weaving), but to her credit, she didn’t kick me out, just said ‘well, ask if you have questions!’.

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I ended up moving it from the bigger loom to the smaller loom later, and the tension wasn’t great, so I stopped after only four repeats and acknowledged it as a class sample to join others in the box. I rather enjoyed it, although it’s not fast by any stretch. A lot of following along on the chart for every single row. Fussy and fiddly, which unfortunately, tends to be my preference.

 

Kingdom A&S

I was all prepared to open the new blog with my thoughts on KA&S, and I still will, but even a week later, I’m still a little gobsmacked. Some backstory, as we’re rather jumping into the middle of it all.

Hi and welcome. I don’t promise a lot of content, or consistent updates, but I wanted somewhere to shove my SCA handwork. I’m not very good at focus, but I do tend towards string. Except when I don’t. This past weekend marked my 2nd anniversary with the SCA. It was luck, really, that my first event was Kingdom A&S in 2014, but excellent luck. That hooked me right from the top. So much awesome concentrated in one room, inspirational, and honestly, I got sucked into judging at that first event (lacemakers are fairly thin on the ground), and the conversational tone that is all I’ve ever known makes me smile.

The next year, on my first anniversary, I entered Pentathlon. Apparently that’s a little unusual for one’s first entry at KA&S, but it seemed natural enough to me. I’d read all the rules, five projects seemed doable, and other than some manic project finishing and stressed out documentation writing.. not too bad. I lost to a mind bogglingly awesome display of skill, one that a year later, I still aspire towards. Merewen’s attention to detail makes my fussy heart sing. Damn.

Fast forward to 2016. I’d actually planned out entries. (Alright, so I had a list of about 9 potential entries to narrow down to five that didn’t suck.) I’d even done research in advance (Note to self: do more doc writing before the week docs are do. Research is all fine and good, writing still takes time.) The rules had changed, but to something easier for me. (no categories? Woot!)

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Apparently planning worked, as I won this year. It hit me halfway through court when I realized that I was holding the A&S champion cup (and weirdly behind the thrones, that’s unusual apparently, but I got pointed that way rather than back to a seat!) and then hit me a half dozen times more on the way home, and I keep forgetting that I won over the course of the last week.

For the curious, my entires were: a counted work embroidery sampler, sourdough bread, a limp bound book, a series of madder dyed samples and a knitted relic pouch.

I’ll go into each entry in more detail over the next little while. Free blog post inspirations! 🙂

ALL THE THINGS!

I have, for many years, mused and debated and considered joining (re-joining? Joining. One brief flirtation 20 yrs ago doesn’t count) the SCA. (Society for Creative Anachronism, a medieval reenactment group). I’ve always tended towards that sort of time frame for my preference in dress up, and having a bit of focus towards my flailing and distractible attention is a feature. (Not that approx 1000 yrs of history is all that much focus, but at least it knocks off the last 400 yrs, which is a start.)

As much as this is generally a knitting blog, I’m actually very handwork ADD, and dabble in basically anything once, twice if I like it. I do seem to end up back with sticks and string every time, but I’ll still try anything.

Over the weekend, I went to my first SCA event, and I done good in picking it. Kingdom A&S competition. (Kingdom = province wide, A&S = Arts and Sciences.. everything that’s not fighting) So people from all over the Kingdom bringing their A game to show off to everyone. Hot /damn/ there are a lot of stunningly talented people. Even better, like handworkers everywhere, if you cornered them and asked them to tell you all about it, they were generally delighted to share their insights and enthusiasm with people who were gawking. (Much like asking a gamer ‘tell me about your character’, really. Geeks are geeks, be it illumination or Pathfinder.)

I came away wanting to do everything. Lace! Embroidery! Wire! Spinning! Research! Costuming! This is in rather direct contrast with the 2014 promise to myself that I’d finish things that have been hanging about forever. I should institute a one done gets to start something new plan. Fortunately some are non-portable, which makes it easier to know which ones come along in my backpack.

Going to work today is a distinct challenge, I’d rather stay home with my sticks and string, dammit!

Bobbin Lace

I finally took the plunge and dug out my bobbin lace pillow. I’ve own the supplies for this flavour of lace for ages and ages, and apparently to judge by the scraps of practice work in the little box of bobbins this is my 3rd go at it. (My memory said second, but my memory also didn’t remember half the bobbins I own, my memory clearly sucks.)

It’s novel to settle in to a technique where using up some of my size 30 cotton is the same as handing a beginning knitter a ball of chunky and 6mm needles. Then again, its starting to feel that way with knitting as well, but I’ve so damn much of it, I feel as if I really should keep knitting doilies out of the good old size 30 that is legion around here. (And size 10, size 20, size 40.. perhaps there’s just a lot of crochet cotton in this house).

Lo and behold, welcome to the bobbin lace equivalent of a garter stitch scarf, complete with knots, bad tension and mismatched threads. (Damn bobbins are pretty though, and you never seem to have enough. That’s a dangerous combo for the wallet.)

Doilies

I love me some doilies. I love me many doilies. I love working them, I love admiring them when they’re done. I hate blocking them, and once they’re done they usually sit in a plastic bin, unblocked, but I adore doing them.

I’ve decided to just embrace this, and embrace one of my favourite places to find doily patterns, and challenge myself over the next while to knit all of the patterns from a particular site. Yarn Over has translations of a specific Danish site, and I’ve knit a healthy chunk of them already. I’m aiming to finish off the ones I haven’t yet done over the course of this year (possibly and next.. who knows!)

I’m operating on a ‘pics or it doesn’t count’ method here, which I think only is relevant for some of the little ones, which honestly are no big deal to knit again if I can’t find a photo.

Doilies from Kunststrik.dk:

Alita – not done

Egeblad – Jan 2006

Fanodugen – Dec 2009

Flacon – Can’t find pictures, I’ll just do it again.

Lille Rund Serviet – I know I’ve knit this one, but I can’t find a photo.

Mommes Lysedug – Oct 2010 But I can’t find a finished picture of it.

Pafuglehale – Not done. I dont even much care for it, but perhaps in a good colour it won’t be so bad.

Spiralen – I’ve knit the hell out of this more times than I can count.

Stor Lysedug – In progress.

Stor Rund Dug – Sept 2005

Syvstjernen – Not done yet.

Three and a half big doilies in the queue, and two little ones. Not half bad! Damn I have a lot of doilies. 🙂

2012 recap

I am, generally, pretty anal retentive about keeping track of projects in Ravelry. Which makes the retrospectives over what I knit in the last year much easier. Doubly so when I realize that the last thing I knit in 2011 was my dorky hat, finished on New Year’s Eve, so everything after that is 2012.

Vlad
Trollblume
Dishcloth
Frosted Ferns
Headband (crochet)
Cat Vest
Clapotis
Circle Socks
Little Flower Doily
Filly Knit Scaf
Snowflake dishcloths (crochet)

So one shawl, two scarves, three doilies, one pair of socks, seven dishcloths (I did the snowflake one six times) and some random oddness. Not a whole lot of knitting. Some huge projects (Frosted Ferns felt like it took forever), but mostly tiny things. I did, however, spend the whole year in physio with my arm, so I need to be patient with myself on that front.

I already have a project on the finished list for 2013 (a pair of socks that almost got done on the 31st, but not quite), and more clearly to come.

I just don’t know what, if any, theme do I want for 2013. Finish up old stuff? (the usual, as I have projects from 2005 and 2006 in my UFO list, clearly I’m bad at it) Accept that there will be a lot of little stuff (or not much little stuff) and go on? Try and start something big and work at it a bit all year? A sweater? A shawl? A blanket? All doilies all the time? All out of stash? (Unlikely, I can already think of a ball or two of worsted I would like to pick up). I suspect I shall muddle along as usual, knitting what catches my attention at the time, plodding along on the ones in progress and generally not having much of a plan.

Story of my life really. 🙂

Crochet

I found a free pattern for a snowflake dishcloth at Len’s Mills on the weekend. (For those not in SW Ontario, Len’s Mills Store is kind of like a junk store/craft store mash up. You never know what you’ll find, buy it when you see it, because you’ll never see it again. The craft side is a bit more consistant.)

snowflake dishcloth, originally uploaded by Jazmin_.

I don’t often crochet, I’m actually fairly spectacularly awful at reading crochet patterns, but once I got the hang of this one (I ripped out one round many times before I came up with something that looked like the picture), this sucker goes by quickly. I forgot how fast crochet is. How effective something with that many holes is for cleaning dishes (or faces), well it’s a Christmas novelty. I’m rather pleased with it.

I’ll post a photo of my scarf of shame in my next post. Once I swallow my pride enough to admit to having knit it.